Paradise Lost - Medusa

Kev Rowland, Paradise Lost - Medusa

Formed in 1988 in Halifax, West Yorkshire, Paradise Lost are not only known as one of the most distinctive acts in metal - their music arguably defined the gothic subgenre and raised doom metal to a new level - they are also considered pioneers of an entire musical generation. Never ones to hesitate to explore undiscovered paths, they have encompassed many genres during their career - from their death metal beginnings to the more mainstream electronic dark-pop album ‘Host’, electronic influences on ‘Symbol Of Life’ alongside majestic gothic moments. Vocalist Nick Holmes, guitarists Greg Mackintosh and Aaron Aedy, along with bassist Steve Edmondson have never ceased to follow their own vision. The quartet has been an inseparable unit since its inception, with only the drummer's position changing hands several times. The latest incumbent, Waltteri Väyrynen, is only 22 years old, while the band have now been in existence for nearly 30!

With their last album, they showed that they were starting to return to their roots, and that has journey has progressed with ‘Medusa’, which is certainly one of, if not the, heaviest album they have ever released. Here we have doom and gothic metal hitting head on and being brought to live with vocals that owe more to the death scene than any other. There is a quality here that is hard to define, as they bring all the misery of Northern England to bear in 43 minutes of depressing, intense, music. Here is a band that is refusing to rest on their considerable laurels, but instead continue to push boundaries, and to my ears this is easily the most complete work they have ever produced. The drum and bass are crushing, the riffs are solid slabs of lead, while the solos are uplifting and almost cathartic while Nick Holmes shows no sign at all of mellowing in his middle age. I discovered that the more I listened to the album, the more I kept turning up the volume, until the neighbours the other side of the neighbours could share it as well. This is certainly one of the finest metal albums to come out of the UK this year.

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