One of the major benefits of being involved with a site such as www.progarchives.com is that I am sometimes approached by a band that have seen some of my reviews, asking whether I would be interested in writing about their latest album. Such is the case with The Twenty Committee who was only formed in 2012, but have already released their debut album. Now, I am a recent member of the Crossover Team so wasn’t involved when these guys were submitted, but I can see totally why my colleagues voted to include these guys in that subgenre, as they are mixing pop sensibilities (think Coldplay) with progressive (think Gentle Giant) with rock (think John Miles and City Boy).
The result is something that is complex, simple, yet stacked full of melodies and vocal harmonies that many bands would give their eye teeth for. I am always a sucker for a good key change, and the use of that technique in “How Wonderful” provides an added sense of drama that has already seen twin lead vocals, twin lead guitars, being driven along by piano with the whole band just firing. In many ways it reminds me of the first time I came across Salem Hill, with the same sense of constrained power that gives them a real edge. There are loads of nuances and frills just thrown in that add to the overall sound and feel, and the more I play it the more I like it. Although they don’t contain the menace and angst of Discipline, they definitely have something in common with them in the way that a pure piano sound is so important to much of what they do.
In many ways it is quite commercial, and these guys definitely understand late Seventies melodic rock (without ever falling into the sappiness of mass AOR). Whatever song I am listening to is the favourite, and the main question to ask is given that they have delivered this so quickly what have they got left? I know that at the end of the year this is going to be sitting comfortably inside my Top Ten. For more details visit www.thetwentycommittee.com.
