Here we have the third album from Citizen Cain (not the fourth as some would have you believe), some three years after ‘Somewhere But Yesterday’. There had been quite a change in line-up as well, with the band now reduced to just a duo of Cyrus and Stewart Bell. There are no details of who plays what, just that they performed everything themselves apart from lead guitar on one song which was played by Andy Heatie. As with all five reissued albums, it has been remastered and there is a subtle alteration of the artwork, but the track listing is as the original with no additions. In many ways this is one of the band’s darkest pieces of work, as they strike their own path and move somewhat away from the early Genesis feel into something that is more brooding and powerful. The bass is now much more to the fore, and taking on a greater lead role, while Stewart’s keyboards have grown both in stature and layers.
The word that keeps coming to mind when trying to describe this album is “power”, as although they are now reduced to a duo this is very much a band firing on all cylinders that disproves the notion that prog musicians should just sit back and not worry too much about the rock element. That is definitely disproved here as these guys belt it out, yet still have loads of time changes and switches as move through numerous styles and designs. By this time in their history Stewart and Cyrus knew each other well, and how to work together, and more than 15 years after the release of this album they are still producing great music. Festival Music have reissued the first five albums in a remastered form, and now couldn’t be a better time to discover the incredible symphonic prog of Citizen Cain.
www.f2music.co.uk
