Kalin is a “new” musician to me, but he has been involved in the progressive scene in his native Bulgaria for some years, both in bands and by running a regular radio show. What we have here is an instrumental album, with Kalin providing keyboards and drum programming, and then he has been joined by three different guitarists. But, it must be said that this doesn’t sound like a solo project, but much more like a band. Kalin relishes in a filthy keyboard sound, providing chords and passages that wouldn’t sound out of place on a Keith Emerson album, if Keith was in his darkest and foulest mood as opposed to his honky-tonk sideshows. The best way I can think of putting it, is that if Chris Squire played keyboards instead of bass then he would have a sound like this.
Although there is a darkness to this album, it is complimented by plenty of light and brightness and is full of invention and dynamics. There are very little “Look at me and see how quickly I can play” moments, but rather this is an incredibly well-arranged album where there are times that he links into the guitar as if it is Jon Lord and Ritchie Blackmore, or Ken Hensley and Mick Box. This isn’t a keyboard solo album, but a progressive rock album with plenty of guts and balls, where the lead instrument is often (but not always) the keyboards. Now I’ve heard this it has got me wondering what his “real” band albums are like, and when we’re going to get the next solo release. But for now, I’ll just keep playing and enjoying the wonderful album that is ‘Machine Years’.
