It took until 2016 for the next album, during which time they got a new bassist and violinist, but even though some personnel had changed they stayed true to what they had been producing on their previous works. They even started this one with an a capella introduction as they had with the last. Again we are being treated to a band that want to mix so many different styles and musical influences that it is superfluous to even mention them, but when Coheed and Cambria lay down next to Frank Zappa who is cosying up to Mars Volta, then one knows that one is in the presence of something quite special indeed. It is fresh, it is exciting, it is invigorating, and most of all it is just great fun to listen to!
This is not a prog band that wants to copy either Genesis, King Crimson, VDGG or Yes, but instead what to get out there and make a name for themselves performing the music they want, and no matter what everyone else may think of it. Interestingly, the vast majority of progheads who have come across their music think that they are amazing, so how come they aren’t more well-known? Certainly they had missed me by totally, of which the only advantage I can think of is that now I know about them I have a few hours’ worth of music to discover instead of just one album. That they can mix this complexity and intricacy in a way that makes it so easy to listen to is an art in itself, and something that very few bands ever manage. Full of light and shade, dynamics aplenty, this is an incredibly exciting album and one that I could listen to all day. Each time I play it I make more discoveries, with each musician being an integral part to the musical whole. If, like me, this amazing band had passed you by, then now is the time to discover some of the most interesting music you will find in the current prog scene.
