I first came across Tim in the band No Man is an Island (Except the Isle of Man), where he was vocalist and co-writer with Steven Wilson. They soon shorted their name to no-man, and I reviewed various of their albums back in the Nineties, and Tim worked with various different musicians until he finally released his own debut back in 2004, ‘Hotel’, which I also reviewed. A short ten years later, and 2014 saw Tim release his second solo album, ‘Abandoned Dancehall Dreams’. There are a host of other musicians, including of course Wilson, and colleagues from no-man, with plenty of other incredible talents such as drummers Pat Mastelotto and Andrew Booker. But this album is not really about the music, as that is always very much the accompaniment for Tim’s wonderful vocals.
Anyone who has come across no-man will have an expectation for what is being delivered here, and they will not be disappointed. There is a whimsical melancholy about Tim’s material, and an honesty and genuineness that other bands aspire to but rarely achieve. Tim’s relationship with guitarist Michael Bearpark goes back many years, not only with no-man but other outfits, and his use of different guitar techniques to emphasise the emotions in the voice is sublime, with Stuart Laws providing bass that has the right amount of delicacy and warmth. There are times when the music feels quite twee, such as on “Smiler at 52”, yet the emotions and reality of the vocals take the song in quite a different direction from the electronic backing which is behind it. This is an album which bears repeated listening as there is a great deal to be taken from it, by singer who has been at the front of the game for many years.