Envy Of None - Envy Of None

Kev Rowland

Many years ago, I reviewed an album by a famous rock star, and back then I said the only reason people were even talking about it was due to who was involved as opposed to the value of the music it contained, and now here I am saying exactly the same thing again. While much may be made of singer Maiah Wynne, or that famous producer and engineer Alf Annibalini (guitar, keyboards, programming) is involved, or Coney Hatch co-founder Andy Curran (bass guitar, synthesized bass, programming, guitar, backing vocals, Stylophone), but this will be on the top of many people’s “must hear” list due solely to the fourth member of the band, one Alex Lifeson.

Many people were wondering if Alex or Geddy would get back into the studio at any point, given they have spent virtually their whole musical lives wrapped up in Rush, but I am sure most people expected that something would happen at some point, but I never expected this. Firstly, Alex trod the boards in front of someone who was known as “the professor”, one of the finest percussionists and drummers ever involved in rock music, yet he has come back with a band where the drums are all programmed. Also, even though there are some guitar solos here and there, for the most part they are kept very much in the background. This is an electronic pop rock album for the most part, with the concentration very much on the synths and Maiah’s vocals. That she is a good singer is never in doubt, and the band are very good at what they do, but overall is it any good? All I know for sure is that I don’t like it, I really don’t like it, and would not have played it as much as I have if it were not for one of Canada’s finest rockers being so heavily involved, and in some ways, there is the issue. If Alex had gone out and produced something which was in any way similar to Rush he would be castigated for doing it without Neil, so he has gone out and done something I certainly never expected.

I am just going to say that even though here we have a band featuring the one and only Alex Lifeson I doubt I will ever play it again.

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